Jess Ferraro is a Boston-Based artist, performer and model who works with other artists to “create something new and different”. She is involved not only in modeling but in circus arts and we are thrilled to share this in-depth interview with her focusing on her current “emotions” series.
How do you visualize how each emotion is represented? Do they have stories that go along with your life?
Visualizing each emotion has been a very interesting journey. I often don’t identify with many emotions, if any at all most days. So I started this project to get a bit of a better grasp on feelings and emotions. I’ve been kind of playing to how many people refer to them and the other stigmas, interpretations and figures of speech that correlate with each feeling and emotion to create some really interesting visuals. For example when shooting love, I had an underlying mood of ‘love is blind” but also other themes like toxic relationships, fake love and similar things like that. When shooting anxiety, I took from some feelings that I tend to run into when my anxiety increases in situations where I feel like my hands are tied and I can’t do anything about the situation at hand. Feeling vaguely helpless, foggy and in a mild panic. It is all a process of interpreting these emotions and feelings in as many perspectives as I can fathom and working with multiple other photographers on this project definitely helps that process.
When you’re working with a photographer on each image how do you explain what you want to accomplish? Do you plan ahead with colors in mind? How much of the photos are edited in post?
I give the photographer’s an outline of the concepts I am trying to portray through the costume and makeup look I’ve created for the shoot. I then give the photographers the creative freedom on how to shoot and edit the shots. Sometimes there will be a few shots I have in mind and we talk about them and see if they will work with the overall vision of that feeling or emotion. I usually show up fully ready to shoot in most cases, unless I need to change or add extra elements once I arrive on set due to transportation.
When you’re photographing this series, are you focusing on feeling the emotion you’re trying to represent?
I often try to embody as much of the emotion as I can when actually shooting, but mostly try and express the underlying themes and create the imagery I want to portray ior the outcome.
What kinds of reactions do your photos get? How do you feel about those reactions
I have received many reactions, mostly positive and encouraging. Which has been wonderful, but I also tend to get a few odd interactions when I create some images that are a bit more out of the box that people often think I operate in. I often read the mixed reactions as a good sign that I’m making people think about my art instead of just putting something out there and having people not be affected by it. I like that this series has the ability to make people feel something.
Do you associate certain emotions with certain colors?
When I first started this project I realized that most of the emotions I had on my list were all on the sadder, bluer side of the spectrum. As it expanded and I work with more people, more emotions have connected to more color schemes and have gone in multiple directions. I also tend to correlate each emotion with specific textures and textiles, but I think that might just be the fashion designer in me peeking its way out.
Describe your style in 3 words.
Extra, unconventional, and unique
What is the weirdest thing you’ve done for a photoshoot?
I don’t often think things I do for shoots are weird, but other people probably would haha. I’ve spun fire in the snow at 1am, modeled with loaves of bread, gotten bottles of champagne poured on me in a bathtub, had my head put in fruit webbing, poured milk all over the sidewalk, balanced on abandon rocking horses in a field, climbed inside of washing machines, swam with pineapples, pretended to eat eyeballs, rode the T covered in blood, had my butt spanked with handfuls of glitter, strolled around a cemetery with no pants on. All things that I don’t find that weird, but other people probably will haha.
What artists inspire you?
I have had the pleasure of surrounding myself with artistic friends that inspire me every day.
How did you get started modeling?
When I was a kid my parents took me to a casting call for child models. I made it through the whole process and had gotten so bored of it by the time it came to the casting, that I asked if we could just go home. In my later years I picked it backup as a hobby and a way to showcase some of my work when I was still actively designing clothing. I have since expanded my modeling and honed my skills to create other things with many artists.
I know you also take part in circus arts. Does that inform your modeling and art? Can you tell us how you got into doing that? It sounds so cool!
I am a performer, so I guess I got more into aerials through wanting to explore more circus arts. I really enjoy it and it definitely brings other weird poses and mannerisms into my arsenal. I often use my character building skills to create acts and other forms of art. It often brings a fun perspective to new art projects.
What inspires you?
I often pull inspiration from many things; nature, my fellow artists, textures, feelings, fabrics, the reflections off glass and iridescent rainbows. Collaborations, working off each others ideas, creating new worlds and alternate dimensions. I also get a lot of inspiration from space and my surroundings. People watching also sparks some great inspiration, as well as roaming through museums and other public spaces.
What are you working on next?
I feel like I’m constantly working on so many things at a time, but I have a few things in the works that I can’t quite divulge just yet. So you will just have to keep an eye out on my socials to see what I’m up to next haha.
Jess can be found on Pengwar.com . Her instagram handles are @supernova_vision and @pengwar and she can be found on Facebook @pengwarart